Looking for medina, metius, media, medic?

image of a little boy resting his head on his arms on top of a large toy fire engine on a bare mattress; red, white, and blue flag on wall at right with a rising sun in UL and three bold stripes; pictures of sports cars on wall to left; icicle Christmas lights above flag and pictures of cars — Planet beneath the flag of the Karen State, Saint Paul, MN, 2012
Selma Fernández Richter

G368

black and white photograph of street venders selling produce in front of a modern building with a colonnade — Street traders and the colonnade of the Walter Sisulu Square of Dedication, Kliptown Sowto, February 7, 2014 (printed 2015)
David Goldblatt

Not on View

black and white photograph of a man and woman lying down and a seated child child on a bed in a dwelling composed of plastic sheeting and branches — A Transkei family in their shelter, KTC squatter camp. The framework was made of strips of Port Jackson bush. For privacy black sheet were used around the lower part of the shelter. For light, translucent plastic was used on the dome. Cape Town, September 1984 (printed 2015)
David Goldblatt

Not on View

black and white photograph of a manicured lawn with a white birdbath and white urn with a beach and sea in the background — Thirteen kilometers of this coastline were a White Group Area, Blouberstrand, Cape Town, January 9, 1986 (printed 2015)
David Goldblatt

Not on View

black and white photograph of a woman with watering with a garden hose in front of a tiny rectangular brick house; in the background are many power lines, a cemetery and shacks — Miriam Mazibuko waters the garden of her RDP house for which she waited eight years. It consists of one room. Her four children live with her in-laws. Extension 8, Far East Alexandra Township, September 12, 2006 (printed 2015)
David Goldblatt

Not on View

black and white photograph of a bald man in a suit seated on a pile of rubble; barren landscape — Luke Kgatitsoe in his house, bulldozed in February 1984 by the government after the forced removal of the people of Magopa, black-owned farm, which had been declared a "black spot", Ventersdorp district, Transvaal, October 21, 1986 (printed 2015)
David Goldblatt

Not on View

black and white photograph of a man in a suit wearing a hat, sitting on the ground in the shade in the lower right corner; a street sign, stop sign and tree at left — A domestic worker's afternoon off, Sunninghill, Sandton, Johannesburg, July 23, 1999 (printed 2015)
David Goldblatt

Not on View

black and white photograph of a large hedge with bench inside a cut-away section of hedge; brick path along right side — Remnant of a wild almond hedge planted in 1660 to keep the indigenous Khoi out of the first European settlement in South Africa. Kirstenbosch, Cape Town, May 16, 1993 (printed 2015)
David Goldblatt

Not on View

grainy black and white image of a figure running with arms outstretched towards R; figure's legs are in focus, the rest of the image is grainy and slightly out of focus; indistinguishable background — Protest 1, Tokyo, 1969 (printed 2016)
Shomei Tomatsu

Not on View

black and white photograph of a man sitting in a chair with an open newspaper under a canopy against a building at right; a group of three people on the left side, standing and seated by brick building wall — A barber under his canopy and with a connection to electricity on Smit Street, Hillbrown, Johannesburg, May 19, 1999 (printed 2015)
David Goldblatt

Not on View

facade of a brick building with the wallpaper from the McFarlane room superimposed onto it — The McFarlane Room, Boston, Mass., 2016
Anthony Marchetti

Not on View

photograph of the facade of a brick building with grey trim; taller red building with “offices for rent" sign in the window on the viewer's right and a smaller brick faced building with "Olives" sign on the left — The Providence Parlor, Providence, R.I., 2016
Anthony Marchetti

Not on View

portrait of bearded man dressed as President Lincoln; man sits looking to PR with hands resting on thighs; silver watch chain attached to vest; red, gold and silver belt buckle slightly visible under vest; blurry line of trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of green-eyed, bearded man dressed as President Lincoln; man looking up to PR; blurry line of trees and blue sky seen through branches; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

seated portrait of green-eyed, bearded man dressed as President Lincoln; watch chain attached to vest; four pins on PL lapel; blurry trees in distance with darkening blue sky; mounted behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of green-eyed, bearded man dressed as President Lincoln; man looking up; pin with gold cross and American flag on PL lapel; blurry trees with blue sky behind in background; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of blue-eyed, bearded man dressed as President Lincoln; man seated looking to PR with clasped hands resting in lap on PL thigh; gold watch chain attached to vest; wheat tassel inserted though hole in PL lapel; blurry line of trees and blue sky in distance; blurry tree branch in URC; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

three-quarter portrait from chest up of blue-eyed, bearded man dressed as President Lincoln; blurry trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of green-eyed, bearded man dressed as President Lincoln; man seated with hands resting on legs; silver watch chain attached to vest; gold ring on man's PL ring finger; blurry trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of brown-eyed, clean shaven man dressed as President Lincoln; man stands in front of tree trunk holding coat lapel with PL hand; blurry line of trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of bearded man dressed as President Lincoln; mole on PR cheek; man seated with PR hand resting on PR thigh and PL arm resting across PL thigh; blurry trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of two men dressed as President Lincolns; older man has white beard and stands with his PL hand on PL shoulder of much younger man who is seated in front of him; younger man wears braces on teeth; blurry line of trees and blue sky in distance; blurry tree branches in URQ; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of purple-eyed, bearded man from chest up; man dressed as President Lincoln and facing slightly to PR with head tilted down; blurry trees at LL in distance; blurry clouds and blue sky in background; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of clean-shaven seated man dressed as President Lincoln; silver watch chain attached to shiny black vest; playing card? slipped into vest pocket; blurry trees, clouds and blue sky in distance; blurry tree branches in URQ; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of bearded man dressed as President Lincoln; man seated holding folded handkerchief or paper in PR hand which is resting on PR thigh; blurry line of trees in distance with blurry, clouds and blue sky above; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of bearded man dressed as President Lincoln; man seated resting hat over PR knee; mole on PR cheek; wincing smile; gold watch chain attached to vest; PL hand resting on PL thigh; blurry trees in background with blue sky seen through branches; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of blue-eyed, bearded man dressed as President Lincoln; man sits back in chair with head turned slightly to PL; holds hat in hands; blurry trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of brown-eyed, bearded man dressed as President Lincoln; man seated with joined hands resting in lap; four pins on PL lapel; top button on vest and white shirt unbuttoned; blurry trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

portrait of bearded man dressed as President Lincoln; man seated looking to PR with folded hands resting on PR thigh; image of figure is in sharp focus at top and gets progressively more blurry toward bottom; line of blurry trees with clouds and blue sky in distance; blurry branch in URC; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

waist up portrait of brown-eyed, bearded man dressed as President Lincoln; PR arm rests on gravestone; blurry trees and blue sky in distance; framed behind glass in black wood frame; one of a set of 18 photographs to be displayed together — Nineteen Lincolns, 2008
Greta Pratt

Not on View

crevasse with two smooth boulders; nude figure lying horizontally across boulder, legs inside opening of crevasse; thorny bushes in LRQ — Grounded #109, 2006-2007 (printed 2018)
Laura Aguilar

Not on View

color image of street scene; white house on L with black metal railing around porch and stairs to front door; orange building on R with advertisement signs for "Multi Wireless" and two mannequins in window, as well as a blue "For Lease" sign at center, over black graffiti that reads: "Fuck this racist asshole president"; silver sedan parked on street in foreground — November 9, Graffiti, New Orleans, Louisiana, 2015
An-My Lê

Not on View

grey house with salmon colored trim and green roof on a hill; dense foliage surrounding a wooden handrail that runs diagonally through the image — The Duluth Living Room, Duluth, Minn., 2016
Anthony Marchetti

Not on View

the wall from the Connecticut room with the fireplace; appears partially submerged into a lake — The Connecticut Room, North Branford, Conn., 2016
Anthony Marchetti

Not on View

photograph of the facade of a grey house with white trim; red curtains on the outside of the two lower windows; door ajar — The Charleston Rooms, Charleston, S.C., 2016
Anthony Marchetti

Not on View

color image of street scene; grass and paved street in foreground with dark gray car on R; small, landscaped area at center with flowers, hedges, palm trees and a large banner hanging between two columns; monument/statue of figure on horse silhouetted against banner; tan building on L in background; moving vehicle on R in background — Monument, General P.G.T. Beauregard, New Orleans, Louisiana, 2016
An-My Lê

Not on View

color image of battle scene on film set; black cloud of smoking rising on L, behind white screen and crew member facing away from viewer; reinforced trench dug into field at center and R, with more explosions in battlefield in background; production crew with equipment in trench foreground, with people dressed as soldiers further back in trench, firing muskets and facing battlefield — Film Set ("Free State of Jones"), Battle of Corinth, Bush, Louisiana, 2015
An-My Lê

Not on View

color image of a newspaper clipping with a photograph of two women looking out a window with marchers reflected in glass windowpanes on top of a book with a reproduction of a Monet painting of a woman wearing a pink dress, holding a cigarette, with a small glass in front of her — Monet woman and café and modern version, 2014
Joanne Leonard

Not on View

color image of a newspaper clipping with two graphs on top of an open copy of "The Little Prince" — Little Prince and COVID Curves, 2020
Joanne Leonard

Not on View

color image of a a photo clipped from a newspaper of a woman in a shabby bedroom with a little boy and a little girl on top of an open book with a color reproduction of a Thomas Gainsborough painting with two little girls — Picture from Antanarivo and Gainsborough, 2012
Joanne Leonard

Not on View

color image of a newspaper clipping of a photograph of a sculpture of Eros sleeping on a stone on top of a book with an image of a black and white photograph of a sleeping child on a bed — Bronze Baby and Julia from Joanne's "Being in Pictures", 2011
Joanne Leonard

Not on View

color image of a newspaper clipping with a photo of a woman wearing glasses and an olive-colored jacket under the headline, "Women in Science...", on top of a book with a photograph of Marie Curie in her lab — Madame Curie and Women in Science, 2012
Joanne Leonard

Not on View

newspaper clipping with a photograph of two children peeking over the top of a black barrier with the arms of a man around the taller child, holding a U.S. flag, on top of a book with a photograph of two women looking out of windows, with their faces hidden, and a U.S. flag at top of image partially covering window at right — Flags, 2012
Joanne Leonard

Not on View

color image of a newspaper clipping with two pictures of trees flanking a picture of a sparce interior with one chair on top of an open book with an image of a highlighted building in a black and white photograph — Anne Frank’s Tree, 2012
Joanne Leonard

Not on View

color image of a newspaper clipping with a photomontage of smokestacks on top of a book with the reproduction of a Scheeler painting of smokestacks — Smoke Stacks, 2014
Joanne Leonard

Not on View

color image of a newspaper clipping with a color photograph of a helicopter flying over a forest fire on top of a book with an image of a J.M.W. Turner painting of a fire — Turner and Fire, 2012
Joanne Leonard

Not on View

color image of a newspaper clipping with a photograph of Angela Merkel on top of a book with a reproduction of a painting by Peter Ilsted of a woman reading in a sparsely-furnished room — [Angela Merkel and Peter Ilsted painting], 20th century
Joanne Leonard

Not on View

portrait of man wearing herringbone jacket and round glasses, holding a camera up to his PL eye — Portrait of Ted Hartwell, 2004
Dan Dennehy

Not on View

image of a stuffed tan toy horse with white mane and tail and a black harness on a tan couch with orange flowers — Horse, Saint Paul, MN, 2012
Selma Fernández Richter

Not on View

photomontage; black and white image of a standing woman wearing a winter coat and a wide-brimmed hat, with shoes with buckles, with her hands in her coat pockets; colorized image behind woman of a street with old cars at right, streetcar at left, and buildings; black border; red text to left and right of woman's head: "Main Street Winnipeg, Man, Canada" — Holding Her Ground, 2021
Rosalie Favell

Not on View

figure wearing a red hooded shirt and a red, white, and blue smiling mask with round eye holes and three dark grey and white feathers on top; figure holds a coiled basketwoven ornament with white and black fur at top; blue ground with white spots; received unframed — Nunaniqvall', 2022
Cara Romero

Not on View

figure dressed in a blue jumpsuit wearing an astronaut's helmet, with ears of corn floating around figure; starry background; received unframed — The Zenith, 2022
Cara Romero

Not on View

landscape image of man in white fedora, standing with back to viewer, hands in pockets, in front of a line of barbed wire fence; in the distance is a large storm cloud and rainstorm over mountains — Evan drawing power, Northern New Mexico, 1989 (printed 2023)
Stuart D. Klipper

Not on View

black and white photograph of landscape with grove of joshua trees; grasses and two tall trees in foreground; rocky outcroppings in the background — Towük Kani (We Are Home), 2023
Cara Romero

Not on View

WELJA 0683; primarily yellow with rays of light radiating from bottom, center; possibly double-exposure of view of glass-walled house and trees overlapping; white mat; white metal frame with Plexiglas — 5912, 2008
James Welling

Not on View

yellow-walled building on stilts with upward-sloping floor and grey uneven roof; sea birds perched on roof; other buildings including skyscraper visible in background at center; blue sky — CPR Pier and Marine Building, 1953 (printed 2008)
Fred Herzog

Not on View

image of a gold crucified christ figure with no cross on a white and blue ground; not signed — Untitled (Christ), 2008
Dido Fontana

Not on View

color photo of red poppies and cluster of tiny white flowers in front of a mainly green and white background image of purple flowering poppy field; dark wood frame — Untitled, (real opium behind opium backdrop), 2020
Pao Houa Her

Not on View

young woman wearing a turquoise tank top, turquoise and black skirt, white shoes and white beaded headdress, seated bareback on a white speckled horse, standing in front of a backdrop painted with blue sky and white clouds — Domadora de Caballos (Woman on White Horse), c. 2010
Xavier Tavera

Not on View

woman standing in front of a curtain (red on top, multicolored pastel stencils on cream on bottom); woman wears a strapless black dress and black and white shoes and has tattoos on her feet, PR leg and both arms. Album — Dama Tatuada (Tattoo Lady), c. 2010
Xavier Tavera

Not on View

black and white portrait of an elderly woman wearing a blouse with a large floral pattern seated among plastic flowers and foliage; received framed/unglazed — Untitled (Portrait), from "After the Fall of Hmong Tebchaw" series, 2017
Pao Houa Her

Not on View

man wearing small leopard-print bikini pants, with Band-Aids on his face, holding a pink bowling ball in each hand; man stands in front of a dark red curtain — El Mas Fuerte (The Strongest One), c. 2010
Xavier Tavera

Not on View

digitally manipulated color image; view across a paved street with bricked mailbox with address "2052" at right next to driveway; two severely trimmed boulevard trees; two small areas of landscaping with small shrubs and two small trees; grey sky with striated clouds — Whitehirst Manor Drive, 2011
Cory Prahl

Not on View

abstract color image; greenish-red, pink and grey body parts; form with short white-appearing hairs at right — 529 Voluminosa, 2006
Jacqueline Hayden

Not on View

black and white photograph; angled tree trunk on right edge of image; layered palm leave throughout; received framed/unglazed — Untitled (Como Park Conservatory), from "After the Fall of Hmong Tebchaw" series, 2017
Pao Houa Her

Not on View

black and white photograph; portrait of an elderly woman wearing a black cardigan over a floral printed button up shirt; dangling white flowers on top edge of image; several large leaves on left edge; palm leaves along right edge; received framed/unglazed — Untitled (Portrait), from "After the Fall of Hmong Tebchaw" series, 2017
Pao Houa Her

Not on View

large print in shades of orange, black, gray, and blue; blues appear to be hand-colored; image appears to be a mechanical technical drawing in which the components have been squashed, deformed, and exploded across the page; jumbled and whirling geometric forms, cooking utensils, and egg beaters in blue on the right side of sheet; curving black lines and orange shading on the left side of sheet; on cream-light yellow paper; hinged to mat, in blond wood frame — All the Wars in the World (Fire): Come and Get Me, 2020
Alice Aycock

G373

image looking into a corrugated cardboard box with cardboard pieces at interior; artist-made frame — Liquor Store, 2010 (printed 2012)
Isaac Layman

Not on View

multicolored, geometric lettering attached to a multicoloredy, patterned background with alternating black and gray border; angular, geometric shapes create the outlines/suggestion of letters within individual squares, spelling out the title in the CQ; background consists of multicolored triangles in block pattern — KNOW YOU'RE MAGICK BABY, 2019
Jeffrey Gibson; Printer: Lower East Side Printshop, New York; Publisher: Sikkema Jenkins & Co., New York

G259

two images printed in color on one sheet; left image: view inside a crevice in a rocky landscape; young black man in LLQ carrying a large bundle behind his neck, with a child behind him; other figures in the far distance at top center, with many stacks of bundles; right image: intensely-colored image of two zebras in foreground facing one another, each with their heads resting on the other's upper back; snow-covered mountain peak at center background; red flowers in foreground; tree branches with pink flowers at top — Raccord #5, Mine à ciel ouvert noyée de Banfora, 2011
Sammy Baloji

Not on View

two images printed in color on one sheet; left image: tent village with red-orange tents; tall dead tree, URQ; grey sky; right image: old reproduced image of swimming pool surrounded with tropical landscaping with palm trees; many lounge chairs and umbrellas; concrete animals--snail, turtle, seal; old image with vertical lines/creases in original image and dark inherent smudges on original image; losses to original image in URC and LRC; text written in black on original image, URC, in French: "MOI ET MA MAISON / (FAMILLE) NOUS SERVIRON / L'ETERNELLE] — Raccord #1, Cité de Kawama, 2011
Sammy Baloji

Not on View

cartoonish elderly figure seated in chair at LLC facing R; grainy background with woodgrain texture in gray scale, with overlapping transparent peach and blue shapes; lavender background at L; text reads: You say / This is the worst / thing / ever / ever. — You Say This Can't Really Be America (A), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

cartoonish elderly figure seated on chair facing R near LLC; grainy wood-grain background in gray, with overlapping transparent peach and blue shapes; text reads: You say / This can't / really / be / America. — You Say This Can't Really Be America (B), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

cartoonish elderly figure seated on chair facing R near BC; grainy wood-grain background in gray, with overlapping transparent peach and blue shapes; text reads: You say / This isn't really / America. / Not the America you know. — You Say This Can't Really Be America (C), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

cartoonish elderly figure seated on chair facing L at LRC; grainy wood-grain background in gray, with overlapping transparent peach and blue shapes; text reads: You say / We've never / seen / anything / like / this / before. — You Say This Can't Really Be America (D), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

larger cartoonish elderly figure seated on chair facing L at LRC; grainy wood-grain background in gray, with bolder orange and blue overlapping shapes; text reads: I say / Yes / This / is / America / too. — You Say This Can't Really Be America (E), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

larger cartoonish elderly figure seated on chair facing L at LRC; grainy wood-grain background in gray, with bolder orange and blue overlapping shapes; text reads: I say / Yes / This is / the America / I know. — You Say This Can't Really Be America (F), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

larger cartoonish elderly figure seated on chair facing L at LRC; grainy wood-grain background in gray, with bolder orange and blue overlapping shapes; text reads: I say / Yes / This is / the America / I know / from / history. — You Say This Can't Really Be America (G), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

cartoonish elderly figure seated on chair facing L at LRC; grainy wood-grain background in gray, with dark orange and blue overlapping shapes; text reads: I say / Yes / This is / America. / Look South. / Look West. — You Say This Can't Really Be America (H), 2017
Nell Painter; Printer: Brodsky Center, New Brunswick, N.J.; Publisher: Brodsky Center, New Brunswick, N.J.

Not on View

four women-three seated at a long table, one seated at smaller table at R; city plans hanging on wall behind women; American flag in L corner, Minnesota flag in R corner; printed in slightly painterly style — Dassel, Minnesota--Population 1,233, 1999
Paul Shambroom

Not on View

Man wearing striped shirt working with photographic plates at a small table at right, with camera on a stand at far right; cameras with black cloths at center; figures primarily in white carrying upside down tables and umbrella at left; some light touches of color on clothing of some figures at left — Wherein one surreptitiously performs reconnaissance to collect views and freeze points of view to be reflective of one's own kind, 2013 (printed 2015)
Yee I-Lann

Not on View

Two pairs of women (same two women pictured twice in slightly different poses), with one woman seated on a blue stool and the other woman with long hair seated cross-legged, with first woman touch head of woman with long hair; hair extending between pairs of women; rows of plants in field in background; figures with large pots, man on a donkey and a cat pulled by two oxen at right — Wherein one cultivates cultural codes, the noble endeavours of mankind and thereby puts them in their place, 2013 (printed 2015)
Yee I-Lann

Not on View

White man at right wearing white uniform and pith helmet, smoking cigarette and writing in a book while seated at a small table; rows of dark skinned men in a wedge shape at left, all wearing turbans — Wherein one nods with political sympathy and says I understand you better than you understand yourself, I'm just here to help you help yourself, 2013 (printed 2015)
Yee I-Lann

Not on View

Large boulders at center; three men working with drafting tools at large table at right; rectangle of landscape with small mountains with surveyor, two pairs of figures flaking a bridge and another surveyor with figures holding an umbrella and vertical measuring sticks — Wherein one, in the name of knowledge, measures everything, gives it a name and publicises this, thereby claiming it, 2013 (printed 2015)
Yee I-Lann

Not on View

Man with handlebar moustache at right, seated at a desk in an old-fashioned office; curving railroad tracks from center bottom to left edge and across center of image toward right; workers at left--some holding shovels and wearing turbans--with buildings behind them — Wherein one tables an indexical record of data-turned-assets and rules like the boss you now say that you are, 2013 (printed 2015)
Yee I-Lann

Not on View

Surveyor wearing a turban standing on a triangular image of grass — Wherein one hands over the ways of seeing loot, land and labour and thereby builds complicity in the exculpation; you are now partners in crime, 2013 (printed 2015)
Yee I-Lann

Not on View

Female teacher wearing striped dress standing at blackboard with four children; other children seated at extremely tall desks; colorful skirts of two foreground children extend below desks — Wherein one claims the hearts and minds of the innocent and gives them the knowledge that is to be learnt, 2013 (printed 2015)
Yee I-Lann

Not on View

Black leather office chair at right; reddish plant in white pot, LLQ; bare-breasted woman holding a grey cloth that covers her hands, with a black form beneath her, seen through a window at center — Wherein one's legacy comes full circle and posits that you too can exploit and subjugate and fluff yourself up in a splended game of your own jolly adventure, 2013 (printed 2015)
Yee I-Lann

Not on View

black and white image of young girl with face painted to resemble skull, squatting down; behind her, two men in straw hats lean over with their heads together in background on R; figure wearing a checkered skirt stands on far R, pictured from waist down with bags at their feet; angel statues, flowers, candles, and stones are visible in background — Girl at Cemetery, 2017 (printed 2019)
Martha Gabriela Driessen

Not on View

black and white image of woman with scarf wrapped over head, carrying corn husks and a striped bag in L hand, facing sideways; second woman standing in doorway on L, with basket at feet; brick wall visible on R, around corner of building — Woman with Corn Husks, 2018 (printed 2019)
Martha Gabriela Driessen

Not on View

black and white image of young girl sitting against a wall in a denim vest, ripped jeans, and velcro shoes, with a basket on her PR and floral arrangement at her feet; a long, white veil with lace edges lies across ground in foreground, over leaves (petals?) scattered on ground; adult figure stands on L holding jacket in front of body, visible from waist down — Girl and Wedding Veil, 2018 (printed 2019)
Martha Gabriela Driessen

Not on View

thin elderly dark-skinned woman with short white hair, wearing a long white dress with three gathered tiers, seated, looking over her PR shoulder; grey-brown ground; received framed and unglazed in black poster frame — Dominga, 2015
Ruby Rumié

Not on View

heavy-set elderly dark-skinned woman with short white hair, wearing a long white dress with three gathered tiers, seated, with her hands in her lap, her PL hand holding her PR wrist; grey-brown ground; received framed and unglazed in black poster frame — Soledad, 2015
Ruby Rumié

Not on View

pointillist drawing of young woman's face, looking distantly to L; organically patterned background; shaded in gray tones — Ave Maria 8, 2016
Sebastiaan Bremer

Not on View

Untitled [Calligraphy], 20th century

Weiming Lu

Not on View

Untitled [Calligraphy], 20th century

Weiming Lu

Not on View

Midwinter Dream, 1994

Weiming Lu

Not on View

Untitled [Calligraphy], 20th century

Weiming Lu

Not on View

Celebrating Love, 1994

Weiming Lu

Not on View

Untitled [Calligraphy], 20th century

Weiming Lu

Not on View

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